top of page

Perseids

  • Ava Lattimore
  • 2 days ago
  • 2 min read

By Ava Lattimore


I left in the morning with a stain under my skin. You left in the morning to wash it all off. I sat with my legs straddling your hips. Can you feel it now? You asked me if you were my friend. I said you were my friend and I wanted to have sex with you. I don’t think I got it right. 


Is it under your skin?


Let me try again. I sat with my skin pressed against yours, but only the part where I could feel it. I said you were my friend and I am in love with you. I moved my hips back and forth and I don’t think I got it right.


I left in the morning and my fingers still smelled like you. And I can’t wash it off because then maybe it never happened, maybe it was gone from your mouth before you could taste it. I said you were beautiful, all of you, even the parts I have no name for. Before I left you in the morning, you held me close to your chest and I wanted to be all over and inside you and under your skin.


You asked me if I had daydreams about this, not this moment exactly, but something pressed up against it. I said no, and I think that got under your skin. I wanted to ask if you could feel it then, but the time wasn’t right.


I tried again to change the morning. I want you inside of me too. It’s in your hair. Your skin is salty. I want you to leave a mark. I want you to name my skin.


So we were pressed up against each other there, you put my fingers in your mouth, you tasted it, our skin sticking together, and I needed to feel it from the inside to know it had a name. In that light, under the covers, I could see all of you. You said the sun was too bright.


I left in the morning with a stain under my skin. I said it looked like a meteor shower. I left in the morning and I told you I loved you. You left in the morning and you washed it off.

Recent Posts

See All
Ancient Airs, Autumn Nights

What is lost and what is found. By Iris Eisenman In 1915, poet Ezra Pound published Cathay, a slim volume of English translations from Classical Chinese poetry. He did not speak a lick of Chinese. On

 
 
The Flower and the Nausea

By Duda Kovarsky Rotta Carlos Drummond de Andrade is a name every Brazilian child at least vaguely recognizes—most major cities have invariably named a street or a square after him. Some say he was ou

 
 
To Blame for Passion

By Kiera Baird who makes the spark, the rock or the stick? the wood that’s fragile with texture, soft with jagged ends, weak with pointed pricks or the solid, sound, smooth surface of the cold a

 
 
bottom of page